Schoko Casana Rosso
Christian Mildbrandt (1960-2014)
Artist, Print Maker, Artistbook Maker and Mail Artist
His creative spirit will be missed.
(Artworks above include prints, editions housed in the Field Study archive)
Monday, September 29, 2014
KART 52 is hot off the press!
KART Magazine Of Multiplicity
Welcome to the 52nd issue of KART, an instant art
collection in a box!
KART magazine is an assembling publication created to
promote artistic and cultural diversity. KART is an ongoing project with no
deadlines, and work is accepted on a continuing basis. KART is produced in
limited editions of 40, each box containing works by 15 artists. This issue
with a cover inspired by Magda Lagerwerf’s ‘Canary’ project, has 17 makers
contributing!
KART is published as a collaboration between Karingal
Participate and Field Study International.
David Dellafiora (curator) September 2014
KART 52 is
dedicated to the memories of
Christian Mildbrandt & Guido Vermeulen
Christian Mildbrandt & Guido Vermeulen
Australia: David Dellafiora • Adam Gray • Marianne
Midelburg • Jack Oudyn Canada:
Kerosene France: Bruno Sourdin Germany: Peter Müller • Jürgen O.
Olbrich Italy: Vittore Baroni • Daniele
Virgilio Netherlands: Magda Lagerwerf Norway: Torill Elisabeth Larsen Spain: Antonio Gomez • Miguel
Jimenez UK: Sonja Benskin Mesher •
Albin Wallace USA: John M. Bennett
A
limited number of KART 52 are available for sale, $20 US (price
includes P+P), please email before ordering as numbers are very limited
Wednesday, September 17, 2014
Mail for John Cage (postal action by JF Chapelle)
Sunday, September 7, 2014
The Museum of Abject Sentimentality
Curator Phil Edwards
with WIPE magazine
The Museum of Abject Sentimentality
RMIT School of Art Gallery
4 - 12 September 2014
The Museum of Abject Sentimentality examines how contemporary artists use the abject object to explore historical notions of the sublime.
This faux museum investigates the implications of Freidrich Schillers' essay 'On Naïve and Sentimental Poetry' (1795 -1796), in which the author contemplates the interrelation of art, literature and abjection.