Monday, September 29, 2014

Christian Mildbrandt (1960-2014)





Schoko Casana Rosso
Christian Mildbrandt (1960-2014)
Artist, Print Maker, Artistbook Maker and Mail Artist
His creative spirit will be missed.
(Artworks above include prints, editions housed in the Field Study archive)

KART 52 is hot off the press!



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KART Magazine Of Multiplicity

Welcome to the 52nd issue of KART, an instant art collection in a box! 

KART magazine is an assembling publication created to promote artistic and cultural diversity. KART is an ongoing project with no deadlines, and work is accepted on a continuing basis. KART is produced in limited editions of 40, each box containing works by 15 artists. This issue with a cover inspired by Magda Lagerwerf’s ‘Canary’ project, has 17 makers contributing!

KART is published as a collaboration between Karingal Participate and Field Study International.
David Dellafiora (curator) September 2014

KART 52 is dedicated to the memories of 
Christian Mildbrandt & Guido Vermeulen

Australia: David Dellafiora • Adam Gray • Marianne Midelburg • Jack Oudyn Canada: Kerosene France: Bruno Sourdin Germany: Peter Müller • Jürgen O. Olbrich Italy: Vittore Baroni • Daniele Virgilio Netherlands: Magda Lagerwerf Norway: Torill Elisabeth Larsen Spain: Antonio Gomez • Miguel Jimenez UK: Sonja Benskin Mesher • Albin Wallace USA: John M. Bennett
A limited number of KART 52 are available for sale, $20 US (price includes P+P), please email before ordering as numbers are very limited 

Wednesday, September 17, 2014

Mail for John Cage (postal action by JF Chapelle)

Mailed and postmarked 5th Sept (John Cage's birthday) sent by JF Chapelle, France to David Dellafiora, Australia

Sunday, September 7, 2014

The Museum of Abject Sentimentality

  Curator Phil Edwards with WIPE magazine
 
The Museum of Abject Sentimentality
RMIT School of Art Gallery
4 - 12 September 2014

The Museum of Abject Sentimentality examines how contemporary artists use the abject object to explore historical notions of the sublime.

This faux museum investigates the implications of Freidrich Schillers' essay 'On Naïve and Sentimental Poetry' (1795 -1796), in which the author contemplates the interrelation of art, literature and abjection.

Monday, August 25, 2014

KART 51 is here!



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KART Magazine Of Multiplicity

Welcome to the 51st issue of KART, an instant art collection in a box! 

KART magazine is an assembling publication created to promote artistic and cultural diversity. KART is an ongoing project with no deadlines, and work is accepted on a continuing basis. KART is produced in limited editions of 40, each box containing works by 15 artists. This is a super bumper issue with 20 makers contributing!

KART is published as a collaboration between Karingal Participate and Field Study International.
David Dellafiora (curator) August 2014


Australia: David Dellafiora • Lucy Godycki • Neil Higgins • Karingallery Artists • Rosie Tunn McGrath • Marianne Midelburg • Jack Oudyn • Jason Richards • Zoe Snyder • Morgan Tasic Germany: Uli Grohmann • Siggi Liersch • Peter Müller • Jürgen O. OlbrichSchoko Casana Rosso Italy: Daniele Virgilio Netherlands: Piet Franzen Spain: Antonio Moreno Garrido USA: Allan Bealy • John M. Bennett
A limited number of KART 51 are available for sale, $20 US (price includes P+P), please email before ordering as numbers are very limited 

Wipe 83 is hot off the press.






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Australia
Vizma Bruns . Duke Fitzwilliam . Peter Kingston
Begium
Miche-Art-Universalis
Canada
R.F. Cõté
Finland
Carina Granlund
Germany
Siggi Liersch. Jurgen O.Olbrich
Schoko Casana Rosso
Greece
Katerina Nikoltsou
Italy
Marisa Pezzoli . Giovanni Strada
Netherlands
Magda Lagerwerf
Norway
Torill Elisabeth Larsen
Spain
José L Campal . Joaquin Gomez
Miguel Jimenez
USA
John M.Bennett . Laura Dunn
Otto David Sherman
Wipe
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.

Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail. (text by Susan Hartigan)
Limited copies of WIPE 83 are available for sale for $20 US (including international p&p) email for further details.