Friday, February 28, 2014
Friday, February 7, 2014
Field Study postbox 8/2/2014
Letters to the ghosts of Julian Beere Field Study Emanation by Julian Beere, UK for the 2013 Field Report
Edition for KART by Kerosene, Canada
Editions for both KART and Wipe, plus printed booklet by Serse Luigetti, Italy
Mail Art Makes The World A Town, assembling book N0.10, Cheryl Penn, South Africa
Centennial G.A.Cavellini Artistamps Folio, E.O.N.Archive Vittore Baroni, Italy
Sunday, February 2, 2014
KART 46- Dawn of a new issue!
KART Magazine Of Multiplicity
Welcome to the 46th issue of KART, an instant art
collection in a box!
KART magazine is an assembling publication created to
promote artistic and cultural diversity. KART is an ongoing project with no
deadlines, and work is accepted on a continuing basis. KART is produced in
limited editions of 40, each box containing works by 15 artists. This is a
bumper issue with 18 makers contributing! KART will be on display at the
Festival of the Photocopier Zine Fair at Melbourne Town Hall on 9th
February at the Field Study Publications stand.
David Dellafiora (curator) February
2014
Australia: David Dellafiora • Noel
Gwosdezki • David Learmonth • Marianne Midelburg • Jason Richards • Jiri Tibor
Novák • Jack Oudyn • Zoe Snyder Germany: Angela Behrendt • Siggi Liersch • Peter
Müller • Jürgen O. Olbrich Netherlands: Magda Lagerwerf Spain: Joaquin Gomez
Ukraine: Lubomyr Tymkiv UK: Sonja Benskin Mesher USA: John M. Bennett • Carol Stetser
A limited number of KARTs are available for sale for $20 US (includes international p&p) email for further details
WIPE No.79 hot of the press!
Australia
David Dellafiora . Peter Kingston
Canada
Anna Banana . Diane Bertrand . R.F. Cõté
France
Ceravolo Valérie
Germany
Siggi Liersch . Peter Müller . PLG
Jurgen O.Olbrich
Greece
Katerina Nikoltsou
Italy
Vittore Baroni . Silvano Pertone
Giovanni Strada
Netherlands
Magda Lagerwerf
Spain
Joaquin Gomez
UK
Sonja Benskin Mesher . Alan Turner
USA
John M.Bennett . Laura Dunn
Otto David Sherman
Wipe
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail. (text by Susan Hartigan)
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail. (text by Susan Hartigan)
Limited copies of WIPE 79 are available for sale for $20 US (including international p&p) email for further details.
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