Wednesday, January 15, 2025
Monday, November 4, 2024
KART 135 has landed!
KART is published as a collaboration between genU and Field Study International.
David Dellafiora (curator) October 2024
Australia Helen Amyes • David Fielding • Frank Kolosa • Zoe Snyder Belgium Thierry Tiller France Christian Alle Germany Thomas Behling • Siggi Liersch • Susanne Mitterwieser • Jürgen O. Olbrich Italy Vittore Baroni • Cristiano Pallara • Laura Pintus • Giovanni Strada Daniele Virgilio Lithuania Mindaugas Zuromakas Netherlands Magda Lagerwerf Norway Torill Elisabeth Larsen Spain Antonio Gomez • Beltran Laguna Juan Fran Nunez Parreno Taiwan William Mellott USA Jeff Bagato
A limited number of KART 135 are available for sale, $20 US (price includes P+P) for overseas $15 Australian Dollars within Australia (price includes P+P), please email before ordering as numbers are very limited
WIPE no.153 is published!
Works by
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan)
Saturday, August 31, 2024
WIPE 152 hot off the press!
Works by
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan)
KART 134 is here!
KART is published as a collaboration between genU and Field Study International.
David Dellafiora (curator) August 2024
Australia Christine Ericksson • David Fielding • Zoe Snyder Belgium Thierry Tiller Canda Slim Blanks Germany Thomas Behling • Atelier Rolf Jahn • Siggi Liersch • Peter Müller • Netmail • Jürgen O. Olbrich Italy Vittore Baroni • Valentina Cozzi • Daniele Virgilio Lithuania Mindaugas Zuromakas Netherlands Piet Franzen New Zealand The Stray Waif Norway Torill Elisabeth Larsen Spain Antonio Gomez Taiwan William Mellott UK Claire Gladstone • Emily Tiplady USA Jeff Bagato • Leo Morrissey
A limited number of KART 134 are available for sale, $20 US (price includes P+P) for overseas $15 Australian Dollars within Australia (price includes P+P), please email before ordering as numbers are very limited
ReSite No.1 Vol.3 new format is published.
ReSite – Pocketbook of Scores, Manifestos & Radical Actions
ReSite is an assembling publication in which pages have an element of audience participation or interaction. Like Fluxus editions, where anyone can perform an action or score, ReSite taps into the rich tradition of the avant-garde with contributions of manifestos and documentation of art actions.
Thursday, July 11, 2024
WIPE 151 is published.
Works by
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan)