Saturday, June 29, 2019

WIPE 119 hot off the press!








works by

Argentina
Rosa Gravino
Australia
Vizma Bruns . Christine Ericksson
Franz Kolosa
Begium
Miche-Art-Universalis
Brasil
Janyce Oliveira
France
Christian Alle
Germany
Siggi Liersch . Ute Mescher
Ahlrich Van Ohlen . Jurgen O.Olbrich
Kamal Oumari . TICTAC
Greece
Katerina Nikoltsou
Italy
Vittore Baroni . Giovanni Strada
Netherlands
Magda Lagerwerf
Norway
Torill Elisabeth Larsen
Spain
Antonio Gómez
USA
Laura Dunn
 
Wipe
Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium insharp contrast with the artistic concern for archival materials. Conceived as a playful lightweight publication to circumvent postage costs, Wipe nods to Duchamp’s urinal and challenges contributors to make work on a medium that is almost anti-art.
Contributors source their own toilet paper, a source of fascination in itself and a comment on the hygiene practices of different societies. In spite of its intended ephemerality, toilet paper allows rubberstamping, stitching, collaging, and even frottaging. When 20 contributions are received, Wipe is distributed to participants by mail.(text by Susan Hartigan)
Limited copies of WIPE 119 are available for sale for $20 US (including international p&p) email for further details.
 

KART 97 is here!



Welcome to 97th issue of KART. The image on this cover is inspired by Geelong After Dark’s theme of ESP and is homage to Nina Kulagina’s telekinesis skills.

KART magazine is an assembling publication promoting artistic and cultural diversity. KART is an ongoing project with no deadlines and work is accepted on a continuing basis. KART is produced in limited editions of 40, each box containing works by 15 artists. This issue has 19 contributors!

KART is published as a collaboration between GenU- Karingal St Laurence and Field Study International.

works by


Argentina Rosa Gravino Australia Vizma Bruns • David Fielding • Sarah Guilfoil • Zoe Snyder • John Stewart France Trixi Pops • Nada Zero Germany Uli Grohmann • Siggi Liersch • Peter Müller • Jürgen O. OlbrichStefan Brand Stifter Italy Vittore Baroni • Daniele Virgilio Spain Antonio GomezAlfonso Aguado Ortuño Taiwan William Mellott USA: Joey Patricki

 A limited number of KART 97 are available for sale, $20 US (price includes P+P), please email before ordering as numbers are very limited 


Sunday, June 9, 2019

The 2018 Field Report is out in the world!

















Field Study Emanations by
 
Aardverx . Martha Aitchison . Artpool . Vittore Baroni . Horst Baur . Julian Beere . John M Bennett . Bev Bills . Sarah Bodman . Hans Braumûller  . Vizma Brúns. Chameleon Lectra . JF Chapelle  . Victoria Cooper . RF Côté .  Laura Cristin . David Dellafiora  . Martin Desloovere . Lucy Godycki . Antonio Gomez . Karl-Friedrich Hacker . Susan Hartigan . Paul Holman . Eberhard Janke . KLIRZ . Magda Lagerwerf . Beltrán Laguna . Susanna Lakner . Teresa Lawrence . Siggi Liersch . Serse Luigetti . Renée Magaña . Ute Mescher . Denis Mizzi . Peter Mueller . Emilio Morandi . Leo Morrissey . Ken Naigus . Keiichi Nakamura . Jurgen O.Olbrich . Leonie Osowski . Benedict Phillips . Point d’Ironie . Ross Priddle  . Terry Reid  . Sabine Remy  . Glen Smith . Zoe Snyder . Doug Spowart . Angela Stadthaus . State Of Being . Carol Stetser . TICTAC  . Alan Turner . Sue Vallance . Daniele Virgilio
 

The Journal Of Field Study International

One of the joys of laying out pages for the Field Report is discovering serendipity at work – this edition features works with holes and circles, gaps in the field, and the ephemera of leaves, note books and feathers. Tangible ephemera has become rarer when more work now occurs on blogs and facebook pages. The Field Report returns mailart to its roots.

The 50th anniversary of the events of May 1968 are referenced by Martin Desloovere work and Terry Reid with his Situationist reading of Denis Mizzi on a walk through the city. Also included in the report are works of a hermetic nature, from gnome crime scenes, to sigils, and recordings of the movement of birds and the labour of bees. The cataloguing of objects is also a feature, with Peter Müller’s Beauty of Poo, Sue Hartigan’s Geelong Ruins Series#1, Incidental Rothkos by Glen Smith and Angela Stadthaus’s classifications of a type of paper.

This edition of the Field Report welcomes KLIRZ with his heroic micro opera and Sarah Bodman and Jayne Marshall with their readings from Encounters with Books/Encuentro con Libros from Santander. Books Beyond Boundaries in Geelong included an illustrated talk on assembling publications and a display from the Field Study archive while Jürgen O Olbrich re-enacted the Fluxshop for Objekt-Magazine in Münich.

2019 will see the 25th issue of The Journal Of Field Study International and welcomes emanations from artists around the globe.
David Dellafiora
The Field Report is the annual of Field Study International, produced since 1996 in the form of an assembling book. Artists are invited to create an edition of 100 pages conceived as a ‘Field Study Emanation’. Works include documentations of performances, actions, instructions, manifestoes, journey works, tracts, rants, instructions, manifestoes, reflections and experiments. Each issue contains the work of about fifty artists. Size14.5x21cm, wire bound, hand stamped, numbered.  
A limited number of the 2018 Field Reports are available for sale cost $60 US (includes international p+p) email for details